Song of Storms | Zelda UST, Heavy Metal

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An intense symphonic metal cover of the Song of Storms from The Legend of Zelda: Ocarina of Time, used for gaming edits and dramatic moments.

This is a heavy, symphonic metal take on the familiar windmill melody from Ocarina of Time, driven by pounding drums, distorted guitars and soaring orchestral layers that turn a gentle tune into something urgent and epic. The main theme arrives quickly and stays recognisable even under the heavier arrangement, building in intensity rather than slowing down for a quiet break. It feels dramatic and over-the-top in a fun way, like a boss fight starting in a quiet village, and it works best when a video needs instant energy, tension or a heroic lift without losing the nostalgia of the original Zelda melody.

The Song of Storms comes from The Legend of Zelda: Ocarina of Time, released in 1998, where Link learns it from the man in the windmill in Kakariko Village and uses it to summon rain and change the weather. The melody has become one of the series most recognisable tunes, covered countless times by fans and musicians across YouTube and gaming communities. This version by FalKKonE reimagines it as intense symphonic metal, which is why it keeps appearing in Zelda edits, speedrun highlights and dramatic gaming videos long after the original game.

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What is the Song of Storms?

It is a melody from The Legend of Zelda: Ocarina of Time that Link learns in Kakariko Village. In the game it summons rain and changes the weather, and this page hosts a heavy symphonic metal cover of that tune.

Who made this metal version of the Song of Storms?

This version is credited to FalKKonE and is described as an intense symphonic metal cover of the Windmill Hut theme. It keeps the original melody recognisable while adding distorted guitars, drums and orchestral layers.

How do creators use this sound?

Creators often use it for Zelda edits, boss fights, storm reveals and fast gameplay montages where they want instant drama. It works best over action or a big reveal, rather than under quiet dialogue that the heavy arrangement could overpower.