Let'sGetReadyToRumble -

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关于此声音

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Michael Buffer's boxing introduction 'Let's get ready to rumble', delivered with booming arena energy and used to hype entrances, fights and reveals.

The clip captures Michael Buffer's legendary ring announcement in full, building from a measured, theatrical pause into the thunderous, drawn-out delivery of his signature phrase. His deep, resonant voice stretches each syllable for maximum drama, backed by the roar of a huge arena crowd that swells as the final word lands. It instantly signals that something important is about to happen, turning an ordinary entrance, reveal or matchup into a main-event moment. The pacing, power and familiarity of the line make viewers sit up, cheer and expect a showdown, even before anything else appears on screen.

American ring announcer Michael Buffer made 'Let's get ready to rumble' famous as his signature introduction for major championship boxing matches, where his booming delivery became inseparable from the main event itself. The phrase later crossed into professional wrestling, video games, films and television, and Buffer trademarked it as his own catchphrase. Because the line is instantly recognised even by people who rarely watch boxing, creators still use it as a universal signal that a big confrontation, entrance or showdown is about to begin.

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常见问题

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Who says "Let's get ready to rumble"?

American ring announcer Michael Buffer says it as his trademarked signature introduction before major boxing matches. His dramatic, drawn-out delivery turned the line into one of the most recognisable announcements in sports.

Where did "Let's get ready to rumble" originally come from?

It comes from Michael Buffer's work as a boxing ring announcer, where he used it to introduce championship fighters and build excitement before the main event. It later spread to wrestling, games and popular culture.

How do creators use this sound in videos?

Creators usually play it just before an entrance, reveal or matchup to create main-event excitement. It works best when the final word lands on the cut to the action, rather than playing over dialogue or music.