GET THAT WEAK STUFF OUTA HERE

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关于此声音

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Austin Carr shouts get that weak stuff outta here after a blocked shot in this Cleveland Cavaliers sound effect, used for rejections and roasts.

This is a short, loud broadcast call of Austin Carr shouting his catchphrase after a Cleveland Cavaliers player blocks a shot. His voice rises with excitement and disdain, stretching the insult as if the block itself was personal. The delivery is theatrical and instantly dismissive, turning a defensive play into a comedy punchline. Out of context, it works the same way, because the tone alone tells listeners something was rejected completely. It lands hardest when paired with a visual fail, a swat, or a bad take being shut down in front of everyone watching.

The phrase became famous as a signature call of Austin Carr, the former Cleveland Cavaliers player turned television broadcaster for the team. Carr used it after emphatic blocked shots, alongside other well known Cavs calls, and clips of the broadcasts circulated online among NBA fans. As short-form edits and reaction videos grew, the line escaped basketball coverage and became a general rejection meme. Its lasting appeal is its specificity and energy, making an ordinary block or refusal sound like a public, humiliating dismissal that needs no extra explanation.

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常见问题

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Who says get that weak stuff outta here?

Austin Carr, former Cleveland Cavaliers player and longtime team broadcaster, says the line as one of his signature calls. He shouts it after a Cavs player blocks an opponent's shot, turning the rejection into a taunt aimed at the shooter.

Where does the get that weak stuff outta here sound come from?

It comes from Cleveland Cavaliers television broadcasts, where Carr used the catchphrase during live games. Short clips of emphatic blocks and his excited call later spread online as soundboard audio, edits, and reaction memes beyond basketball fans.

How do people use this sound online?

Creators place it over blocked shots, swatted objects, deleted files, and rejected ideas to make the moment feel like a humiliating dismissal. It works best timed to the exact instant of contact, rejection, or failure in the clip.