Don't Like That

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About this sound

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Kenan Thompson says don't like that in this SNL reaction clip, perfect for responding to bad ideas, awkward moments and unwanted surprises in videos.

This is a brief, deadpan reaction line delivered by Kenan Thompson, lasting less than a second but landing with unmistakable disapproval. His voice is flat and unimpressed, almost weary, as he rejects whatever has just happened without raising his voice or adding any explanation. That restraint is what makes it funny: the understatement turns a small complaint into a clear verdict. Dropped into a video, it instantly signals that the viewer is supposed to dislike the moment too, whether it is a failed attempt, a strange choice or an unwelcome twist, and it works best when the visual does the rest of the talking.

The clip is catalogued as a Saturday Night Live sound featuring Kenan Thompson, and its appeal comes from how instantly recognisable his disapproving delivery is to viewers familiar with his long-running comedy work. Because the line is under a second long, it travels easily across short-form videos, reaction edits and meme compilations, where a single blunt judgement can punctuate a scene without interrupting it. Creators keep returning to it because it needs no context: the tone alone tells the audience that something was not welcome.

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Frequently Asked Questions

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Who says don't like that in this sound?

The voice in this clip is Kenan Thompson, the long-running Saturday Night Live cast member. His flat, unimpressed delivery is the point of the sound, turning a simple rejection into a comic reaction that creators reuse across short videos.

Where is the don't like that sound from?

It is catalogued as a Saturday Night Live clip featuring Kenan Thompson. The exact sketch is not identified in the sound's listing, so creators generally use it as a standalone reaction rather than as a reference to one particular scene.

How do creators use this sound in videos?

Creators usually drop it right after something goes wrong, looks bad or feels unwelcome, letting Thompson's deadpan rejection do the commenting. It works best in short edits, where one quick verdict lands harder than a longer explanation.