Chew Bubblegum & Kick Ass

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About this sound

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Roddy Piper's famous one-liner from They Live, delivered before a fight. Creators use it to hype a comeback, reveal, or confident entrance in memes and edits.

This is Roddy Piper's deadpan delivery of the line 'I have come here to chew bubblegum and kick ass, and I'm all out of bubblegum,' spoken as his character Nada in They Live before he starts a fight. His voice is calm, low and bored at first, then sharpens on the final words, which makes the threat land as a joke as much as a warning. The pause before the punchline gives listeners a beat to recognise the quote, so when the action starts it feels both cool and funny. That mix of confidence, understatement and eighties action-movie swagger is why the clip still works as a hype moment.

The line comes from John Carpenter's 1988 science-fiction film They Live, where wrestler-turned-actor Roddy Piper plays Nada, a drifter who discovers an alien invasion hidden in plain sight. The quote arrives as Nada prepares to fight, and its mix of deadpan humour and action-hero bravado helped it outlive the film itself. It spread through clips, reaction videos and edits, becoming shorthand for walking into a confrontation with total confidence. Decades later, creators still use it because the setup is instantly recognisable even to viewers who have never seen the movie.

Use Cases

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Frequently Asked Questions

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What is the "chew bubblegum and kick ass" sound?

It is a short clip of Roddy Piper, as Nada in They Live, saying he has come to chew bubblegum and kick ass but is all out of bubblegum. The line is delivered just before a fight, which is why it works as a hype sound.

Where is the quote from?

The quote comes from They Live, John Carpenter's 1988 film about a drifter named Nada who uncovers a hidden alien invasion. Roddy Piper plays Nada, and the line has become one of the film's most quoted moments.

How do creators use this sound in videos?

Creators usually place it just before a reveal, comeback, fight, or confident entrance, letting the pause before the punchline build anticipation. It works best when the action lands on the final words, rather than playing over unrelated footage.