Rasputin … HEY HEY HEY HEY

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An upbeat clip of Boney M's Rasputin built around its repeated hey hey hey hey vocals, often used in memes, edits and party montages for dramatic entrances.

This short clip lifts the most infectious moment from Boney M's Rasputin, a driving disco groove with a punchy bassline, bright backing vocals and a chant-like lead that repeats hey hey hey hey in quick succession. The rhythm feels urgent and theatrical, rising just enough to make a reveal feel bigger than it is, while the familiar melody gives viewers an instant cue that something dramatic, silly or over-the-top is about to happen. Played at full volume, it turns an ordinary entrance, transformation or plot twist into a small stage moment, and its repetition makes it easy to loop, cut on the beat or drop under a reaction.

Rasputin was originally a 1978 disco single by Boney M, a group known for theatrical pop hits, telling the story of the Russian mystic Grigori Rasputin in an unusually catchy chorus. Decades later, the song found a second life online, where short, high-energy sections were lifted for dance videos, parodies and meme edits that leaned into its dramatic rhythm. The repeated hey vocals make it instantly recognisable even without the full track, which helps it keep circulating across short-form platforms as a shorthand for exaggerated confidence, chaos or a grand entrance.

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What is the Rasputin Hey Hey Hey Hey sound?

It is a short, high-energy excerpt from Boney M's Rasputin, centred on the repeated hey hey hey hey chant over a driving disco beat. Creators use it as a punchy cue for entrances, reveals and over-the-top moments in short videos.

Where does the Rasputin sound come from?

It comes from Rasputin, a 1978 disco song by Boney M about the Russian mystic Grigori Rasputin. The track became a lasting pop hit and later spread online in short clips, dance videos and meme edits.

How should creators use this sound in a video?

Place the first hey on the reveal, entrance or punchline, then let the chant carry the moment without talking over it. It works best for quick transformations, dramatic entrances and chaotic montages that need instant energy.