Champion's league

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The UEFA Champions League anthem hymn with its famous choir chant, played before European football matches and used for epic sports edits and reveals.

This is the soaring choral section of the UEFA Champions League anthem, built on powerful strings and a full choir rising toward the repeated chant of the competition's name. The recording feels grand and ceremonial, with sustained voices layered over dramatic orchestration that swells rather than stays flat. Even in a short clip it instantly signals a big occasion, turning an ordinary entrance, goal or lineup reveal into something that feels historic and high stakes. Listeners recognise the melody within seconds, and the final choral peak gives edits a sense of triumph and anticipation.

The anthem was written by English composer Tony Britten in 1992 for the rebranded UEFA Champions League, adapting George Frideric Handel's 1727 coronation anthem Zadok the Priest. Its lyrics move between English, French and German, UEFA's three official languages, and the famous refrain is simply the champions repeated in each language. Performed by the Academy of St Martin in the Fields chorus, it has opened televised matches ever since, becoming shorthand online for football prestige, dramatic entrances and anything presented as elite or unbeatable.

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What is the Champions League anthem sound?

This clip is the choral UEFA Champions League anthem, recognised for its rising strings and the repeated chant of the champions. It is played before Champions League matches and is widely reused in football edits, parodies and dramatic reveal videos online.

Who composed the Champions League anthem?

English composer Tony Britten wrote the anthem in 1992, adapting Handel's Zadok the Priest. The lyrics use English, French and German, and the recording features the Academy of St Martin in the Fields chorus giving it its ceremonial sound.

How can I use this sound in a video?

Use it under an entrance, team sheet reveal, goal replay or trophy moment, timing the loudest choral peak to the visual reveal. It works best kept short, with commentary or crowd noise lowered so the melody stays clear and instantly recognisable.