Shaggy Calls Part 2

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Chris Moyles radio prank clip where John calls a taxi company impersonating Shaggy from Scooby-Doo, used for prank calls and funny reaction edits.

This short clip captures John doing a pitch-perfect Shaggy impression during a prank call to another taxi company, complete with the character's nervous, wavering delivery and drawn-out phrasing. The humour comes from the contrast between the ordinary booking conversation and the instantly recognisable cartoon voice dropping in as if nothing is unusual. Listeners familiar with Scooby-Doo pick up the reference immediately, while the confused, straight-faced context makes the exchange feel even more absurd. It works as a quick, self-contained joke that lands without needing the full call for context.

The clip comes from a Chris Moyles prank feature in which John phones another taxi company while staying in character as Shaggy, the laid-back Scooby-Doo character voiced in the cartoons with a distinctive shaky, youthful tone. Labelled Part 2, it circulated as a follow-up to an earlier call and was later shared on soundboards as a standalone meme clip. Its lasting appeal is the recognisable impression rather than the booking itself, which is why creators reuse it for prank and reaction edits long after the original radio bit.

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What is the Shaggy Calls Part 2 sound?

It is a short prank call clip credited to Chris Moyles, in which John phones another taxi company while impersonating Shaggy from Scooby-Doo. The joke relies on his wavering cartoon voice against a completely ordinary booking conversation.

Who is John impersonating in this clip?

John is impersonating Norville Shaggy Rogers, the cowardly, food-loving member of Mystery Inc. from Scooby-Doo. He copies Shaggy's nervous, high, drawn-out delivery, which makes the taxi booking sound absurd even though the request itself stays fairly normal throughout.

How do creators use this sound?

Creators drop it into prank call edits, Scooby-Doo memes and reaction videos where a normal phone conversation needs a sudden cartoon twist. It works best uncut and placed after a straight setup line, so the impression lands as the punchline.