Terbiyesizlik Yapma TerbiyesizAdam FatihPortakal

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Fatih Portakal says terbiyesizlik yapma in this short Turkish voice clip, used in memes and reaction videos to call out rude or shameless behaviour.

The clip captures Turkish news anchor Fatih Portakal delivering the rebuke terbiyesizlik yapma, meaning do not be rude, in a sharp, scolding tone that sounds like a live broadcast dressing-down. His voice is firm and exasperated, with the emphasis landing hard on the accusation itself, so the short line feels both authoritative and comically over-the-top. Listeners instantly recognise the moment as a put-down, which is why it works as a punchline: it turns an ordinary rude comment or shameless act into something that deserves a public telling-off, delivered by a familiar television voice.

Terbiyesizlik yapma is a Turkish expression meaning do not act rudely, and this clip is associated with journalist and television presenter Fatih Portakal, whose on-air delivery gave the line its recognisable scolding force. Shared as a short meme sound, it travelled through Turkish social media and video edits, where creators repurposed a familiar broadcast voice for everyday arguments, gaming moments and reaction content. It remains popular because the phrase is short, instantly understood by Turkish speakers and flexible enough to puncture almost any display of bad manners.

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What does terbiyesizlik yapma mean?

It is Turkish for do not be rude or do not act disrespectfully. In the clip, Fatih Portakal uses it as a direct rebuke, telling someone to stop behaving badly rather than making a general observation about manners.

Who is Fatih Portakal?

Fatih Portakal is a Turkish journalist and television news presenter known for his direct, outspoken presenting style. His recognisable broadcast voice is part of why this short rebuke became widely shared as a meme sound.

How do creators use this sound in videos?

Creators place it after a rude comment, cheating moment or shameless act, letting the scolding line act as the punchline. It works best once, over a reaction shot, rather than repeated throughout a longer edit.